8 Dec 2015: There’s nothing like winding down at the end of a big, action-packed year with a big, action-packed pantomime. And who else can we count on delivering that but Wild Rice? This time, the company took on Hans Christian Andersen’s short story, The Emperor’s New Clothes, and turned it into a full-fledged song-and-dance show. Here are five magical elements that make the – very localised – production such a delight for the whole family.
The cast
The great Lim Kay Siu leads a brilliant cast of emerging and established talent. The Sam Willows’ Benjamin Kheng and fellow pop singer Sezairi have a wonderful dynamic as the tailors Nathan and Khairul, while Andrew Lua, Siti Khalijah and Benjamin Wong make for the ultimate comedic trio as government ministers.
The songs
The music is without a doubt the strongest element of the production, brought to life by three musicians as well as the actors themselves (who knew Lim Kay Siu could play the violin so well?) It took every bit of self-restraint for us not to triumphantly yell out the lyrics to ‘Naked as My Butt’ as we exited the theatre.
The costumes (or lack thereof)
The play revolves around the 50th edition of the ‘NDP’ – that’s ‘New Dress Parade’, natch – as there’s nothing Emperor Henry Lim Bay Kun adores more than his clothes. In fact, he decided that an air-conditioned dome would be built over his kingdom just so he could break out his Fall/Winter pieces.
The set
The set here is, typical of Wild Rice productions, a sight to behold. We’re especially impressed by the dungeon scene, during which the huge birdcages used to imprison innocent people whom the Emperor disliked cinematically haunt the stage.
The jokes
A panto ain’t a panto without the laughs – and there’s certainly no shortage of that. Case in point: Khai No Surname and Nate No Surname’s tailor shop is a mash-up of their names, ‘KNN’. At the Emperor’s request, the name gets upgraded to include ‘Costume Custom Bespoke’ at the end, which also gets abbreviated. We’ll leave it at that.
GWEN PEW 