God of Carnage is a play that involves four grown ups screaming at each other for an hour and a half without a change of costume, set, or lighting. On the surface Yasmina Reza’s black comedy of manners is a recipe for disaster, but it has gone on to win a string of prestigious awards … Continue reading The Muse: ‘God of Carnage’ Review
There are some bands that one should never try to cover because it is virtually impossible to do them justice, and any attempt to do so would usually end in embarrassment for everyone involved. The Fab Four ranks pretty high on that list, but The Bootleg Beatles not only has the audacity to cover their … Continue reading The Muse: ‘The Bootleg Beatles’ Review
Stephen Sondheim’s 1970 concept musical is an exploration of love, lust, and whether it’s better to be single or married. Due to its unconventional nature, Company will not be everybody’s cup of tea and those expecting a mainstream sing-along affair will be disappointed. The show has no linear plot, but rather examines its central themes through a … Continue reading The Muse: ‘Company’ Review
As Singapore prepares for the arrival of a localised rendition of Stephen Sondheim’s 1970 Tony-award winning masterpiece Company, The Muse takes a sneak peek backstage and catches up with the show’s Director Hossan Leong and Choreographer George Chan. The concept musical is set in the home of protagonist Robert (Peter Ong) as his 10 coupled-up … Continue reading The Muse: You’ve Got ‘Company’ (Interview)
GWEN PEW 